Nº. 1 of  2

The Crying Light

[Flash 9 is required to listen to audio.]

A. Winter’s Day - Tethered and Rootbound (3:44)

Winter’s Day - Winter’s Day 7” (2010)

Winter’s Day is the new collaborative guise of sometime Kranky artist (and ex-Jessamine member) Dawn Smithson and Aaron Martin.  The combination of Martin’s mournful cello with Smithson’s fractured acoustics and smoky, ethereal vocal tone makes for a thing of considerable beauty. ‘Tethered And Rootbound’ is a lush, slow-moving autumnal ballad that holds together in a loose and soulful fashion.  To make music that sounds this gracefully world-weary and spectral is no mean feat, yet Martin and Smithson make it all sound so effortless.  ‘Pepperbox’, the no-less startling B-side, goes on to confirm how successful this pairing is, leaving you with high hopes for an eventual full-length album. ~Boomkat

 

Comments
[Flash 9 is required to listen to audio.]

01 - Abel Korzeniowski - Stillness Of The Mind (3:54)

OST - A Single Man (2010)

Abel Korzeniowski about the score
A Single Man, A Single Theme

The score for “A Single Man” revolves around a single melodic theme. It slowly grows with the story, and eventually, in the last sequence of the movie, we are presented with its complete, final form. I named the theme “Stillness of the Mind”, after George’s moment of the final transformation. From the cocoon of despair and self-destruction, emerges a butterfly, living and understanding his life to the fullest, if only surviving for one day.

Comments
[Flash 9 is required to listen to audio.]

01. Third Eye Foundation - La Dispute (Yann Tiersen Remixed) (6:30)

Third Eye Foundation - I Poo Poo On Your Juju (2001)

[…] Have you heard the disembodied vocal sample that has appeared and reappeared time and again? Surely, it’s tucked deep in your mind like a repressed memory. You remember it from the Peel Sessions record, when it sang on “Some Pitying Angel,” and from Little Lost Soul, on the track called “Lost.” This sweet voice has returned, like a will o’ the wisp come to lighten the murky swamp, on “La Dispute,” a remix of a work by French filmscorer Yann Tiersen. A haunting melody, to be sure, with accordion underlying… but those lyrics! “So you say the world is lonely/ You are alone…” […]

Comments
[Flash 9 is required to listen to audio.]

Sophie Hutchings - Sunlight Zone (4:48)

Sophie Hutchings - Becalmed (2010)

Becalmed is the debut album from Sydney pianist Sophie Hutchings, recorded between two different settings: one with engineer Tim Whitten, best known for his work with The Necks, and one with Tony Dupe, who records on the preservation label as Saddleback. Becalmed isn’t an entirely solo affair, and you’ll hear Hutchings’ family and friends helping her out with violin, cello and percussion - all elements that greatly help bring these recordings to life. Beautifully recorded, elegiac and romantic compositions such as ‘Sunlight Zone’ and the stunning ‘After Most’ are given an extra dimension by the lyrical flow of strings and the clever use of spatial dynamics in the mix. ~Boomkat

Comments
[Flash 9 is required to listen to audio.]

 07. Linda Perhacs - Hey, Who Really Cares? (2:38)

Linda Perhacs - Parallelograms (1970) (remastered 2008)

The mysterious Linda Perhacs made one obscure album in the early 1970s before vanishing; before it was reissued on CD in 1998, the record label spent two years trying to locate her. The obvious reference point for this low-key, largely acoustic singer-songwriter record is early Joni Mitchell, although Perhacs may be a tad darker and more sultry. The Parallelograms album is set apart from Mitchell, however, by a mildly experimental, even spacy, tinge to some of the lyrics and the production. Occasionally Perhacs multi-tracks her vocals to good, inventive use, and there are subtle electronic effects that add to the record’s gentle mystique. — Richie Unterberger, Allmusic

Comments
[Flash 9 is required to listen to audio.]

03. Deux Filles - Drinking at a Stream (4:03)

Deux Filles - Silence & Wisdom LP (1982) - CD (1993)

‘The short, mysterious career of the aptly named female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule’s mother died of an incurable lung disease and Forque’s mother was killed and her father paralyzed in a grisly auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers, where Forque had lived from birth to the age of five. Theories from abduction and murder to a planned disappearance to spontaneous human combustion have been floated, but in the ensuing years, not a trace of the duo has turned up except for a mysterious letter purportedly written by Coule claiming that the pair journeyed to India on a spiritual quest, only to meet with further hardships. Indeed, the short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo’s albums betrays no hint of the sorrow that framed their personal lives.

This would be a terribly sad story if a word of it were true. In reality, Deux Filles were Simon Fisher Turner, former child star/teen idol and future soundtrack composer, and his mate Colin Lloyd Tucker. Turner and Tucker left an early incarnation of The The in 1981 to pursue another musical direction. Turner claims that the idea of Deux Filles came to him in a dream, and he and Tucker strictly maintained the fiction throughout the duo’s career. Not only did they pose in drag for the album covers, the duo once even played live without the audience realizing that the tragic French girls on-stage were actually a pair of blokes from south London having a giggle. Deux Filles released two albums through Turner and Tucker’s Papier Mache label, 1982’s Silence & Wisdom and 1983’s Double Happiness. After that, the duo scrapped the Deux Filles concept and released two ambient pop albums as Jeremy’s Secret.

While the majority of listeners waste horrific amounts of time on popular music given illusive impressions of ‘meaning’ when it’s still only entertainment, tiny obscurities like Deux Filles are left so unfairly to let die…

Deux Filles is a duo of exquisitely talented multi-instrumentalists who are no strangers in the avantgarde territory for they both achieved considerable success outside mainstream. Producing indescribably beautiful music, both their Deux Filles albums - ‘Double Happiness’ & ‘Silence & Wisdom’ are now rare to find - music the world is sadly missing in greater quantities - reconciling electronic soundscapes, emotional acoustics, occasional doses of spooky tissue and exotic touches, all of which simply defy categorisation - except the word ‘masterpiece’. ~ discogs
 

Comments
[Flash 9 is required to listen to audio.]

A1. Peter Broderick - Roscoe (4:46)

Peter Broderick - Roscoe/Games Again (7”) (2008) (BELLAV182)

Peter Broderick (b. January 20 1987) is an American musician and composer from Portland, Oregon. He has released solo material under his own name, been a member of Efterklang, and played with several ensembles as a session musician.

[..] Broderick releases this insufferably limited 7”, featuring an alternative version of album track ‘Games Again’ and a wonderful rendition of ‘Roscoe’ by his Bella Union labelmates, Midlake. It’s a great cover for Broderick to choose, and his harmonies reinforce the melody wonderfully, whilst his deft instrumental abilities reconfigure the original with a stirring, folksy elegance. […]

Comments
[Flash 9 is required to listen to audio.]

10. Luciano Cilio - Terzo Quadro (2:29)

Luciano Cilio - Dell’Universo Assente (2004) (Die Schachtel)

A questionable inclusion here, as Dialoghi del presente is probably much closer to contemporary classical music than to the standard Italian progressive music, but the album usually has very good reviews by the lovers of the genre.
Cilio was from Naples, and worked both in the musical and theatrical circuit of the city, collaborating with Alan Sorrenti, Shawn Phillips and Armando Piazza in the first part of the 70’s. A talented piano, guitar and sitar player, he was always interested in new forms of avantgarde music.
The album, his only record release, was released in 1977 by EMI, and composed by four main parts and an interlude.
With help from many guest musicians including well known session players Toni Esposito and Robert Fix the album is mostly instrumental and with long parts built on acoustic guitar, piano, cello and other classical instruments, the only vocal parts are wordless chants.
The album was not particularly successful and closed the career of Cilio as musician, though he was involved in many important artistic events held in Naples until his death by suicide in 1983.
A rare album, Dialoghi del presente came in a single cover, some copies having a printed inner. No counterfeits exist.
The recent reissue on Die Schachtel includes the whole album with 6 long unreleased extra tracks, and a booklet in Italian and English on the life and works of
Luciano Cilio.

 

Comments
[Flash 9 is required to listen to audio.]

 08. Max Richter/Dinah Washington - On the Nature of Daylight/This Bitter Earth (CD2) (6:12)

OST - The Shutter Island (2CD) (2010) (Rhino Records)

This bitter earth
Well, what fruit it bears
Ooooh, This bitter earth

And if my life is like the dust
oooh that hides the glow of a rose
What good am I
Heaven only knows

Lord, this bitter earth
Yes, can be so cold
Today you’re young
Too soon, you’re old
But while a voice within me cries
I’m sure someone may answer my call
And this bitter earth
Ooooh may not
Oh be so bitter after all

This bitter earth
Lord, This bitter earth

What good is love
Mmmm that no one shares
And if my life is like the dust
Oooh that hides the glow of a rose

Robbie Robertson, beautifully combined the magnificent Dinah Washington’s voice on “This Bitter Earth” with Max Richter’s hypnotising piece “On the Nature of Daylight”.

This mastepiece is beyond words…

Comments
[Flash 9 is required to listen to audio.]

02. Greg Haines - Marc’s Descent (10:46)

Greg Haines - Until the Point of Hushed Support (2010) (Sonic Pieces 006)

Until the Point of Hushed Support is the second full-length offering from Greg Haines, born in England and now based in Berlin. Though it has been over three years since the release of his debut, Slumber Tides (Miasmah, 2006), the last few years have seen Haines traveling around the world and refining his craft, performing as a solo artist, improvising with other musicians, creating music for contemporary dance, and finally arriving at this new album, a beautifully contemplative forty-eight minute piece for string quintet, church organ, piano, percussion, and electronics. […]

Comments
Nº. 1 of  2
Comments